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reviews of serious non-fiction books on Jewish themes
Little Failure: A Memoir
Reviewer: Robert Matas
Gary Shteyngart is widely regarded as one of the most entertaining storytellers in contemporary literature. The highly enjoyable memoir Little Failure, his fourth book after three well received novels, is his story as a Jewish immigrant from Russia trying to make sense of his place in the new world.
Celebrity memoirs are often intended to settle accounts or redeem reputations. Shteyngart uses his memoir to share the important moments of his life, from his birth in Leningrad through his difficulties as an immigrant to the publication of his first novel The Russian Debutante's Handbook, which won the Stephen Crane Award for First Fiction and the National Jewish Book Award for Fiction.
|In Little Failure, he writes with humour and introspection about the family’s struggles – the poverty, the hesitation in abandoning ways of the old country and the missteps in trying to fit in. As he moves through a Hebrew parochial school and onto Oberlin College, he delves into the frustrations and absurdities of immigrant life.
Tales of violence at home and unrelenting bullying in the schoolyard are followed by comical accounts of teen-aged drinking, pot-smoking and attempts to connect with women. Several incidents will be familiar to those who have read his novels. He often uses events from his own life in his writing.
The memoir jumps back and forth from his recollection of events in his life to his thoughts as he writes the book. Throughout, Shteyngart keeps coming back to his relationship with his parents and especially his father.While writing the memoir, his father told him that he read on the Russian Internet that Shteyngart and his novels would soon be forgotten. His mother identified the blogger who made the comment. “Do you want me to be forgotten, Father,” Shteyngart thinks to himself. His parents have not read his latest book but they know the name of the blogger who says he will be soon forgotten, Shteyngart moans.
His father persisted. Shteyngart was 30th on a list of New York writers. “David Remmick (editor of The New Yorker) was eight positions ahead of you,” his father said. His mother tried to calm the waters. Many writers aren’t acknowledged until after their death, she said in an attempt that did not make him feel any better.
A few days later, his parents were kvelling over a book review in France. The French Internet described his book as one of the best of the year.
He appreciates the humour in the situation. “After each teardown, after each discussion of Internet rankings and blogs, after each barrage of insults presented as jokes, my father finishes with, ‘you should call me more.’”
What should he make of these exchanges? “Down and up. Up and down. I am forgotten. I am remembered. I am number thirty. I am beloved in France. What is this? This is parenting.”
Beyond biography, Little Failure offers a rare glimpse into an international phenomenon. The emigration of Jews from Russia has been a cause célèbre for many Jewish communities over the past four decades. Shteyngart’s memoir offers the perspective of Russian immigrants, facing numerous difficulties on the way out of the country and In starting life over in a foreign land.
His family left Russia near the end of a decade that saw 250,000 Jews coming to the West. Israel “begged” them to move to the Holy Land, he wrote, but his father “courageously” resisted. A Jewish immigrant aid group helped them establish a home in New York. Shteyngart was sent to Solomon Schechter School in Queens. He does not write about those who helped the family.
The memoir also omits something I would have liked to find out. Shteyngart does not write about authors who have influenced his work or what he reads. However he does pinpoint those events in his life that helped shape the making of the writer Gary Shteyngart.
To some extent, he was born a storyteller. He writes that he has never been stuck for words. “My mind is running at insomniac speed,” he says the memoir. “The words are falling in like soldiers at reveille. Put me in front of a keyboard and I will fill up a screen.”
Shteyngart remembers inventing his first story at the age of five. His grandmother Galya, who once worked as a journalist and editor at a Leningrad newspaper, suggested he write his own novel. She offered him slices of cheese for every page he wrote, a sandwich with bread, butter and cheese for each chapter. He put together a surrealistic tale of political adventurism and betrayal involving Lenin, Finland and a wild goose. The novel, Lenin and His Magical Goose, probably cost a hundred pieces of cheese and at least a dozen sandwiches, he estimates. His first attempt at writing a story in English came when he was 10, three years after arriving in New York. He was a misfit at school, constantly bullied and ridiculed by his classmates. He considered himself to be one of the most hated boys at the Hebrew School. The 59-page novella, The Chalenge, (sic) was an imaginative space adventure involving a blond kid who does not look Jewish, a best friend and a girl caught in the middle between the two boys.
Shteyngart hated himself and the people around him. He was not strong enough to stand up to those who hit him. He struck back with rage in the imaginary world he created. He discovered the power of laughter from a teacher who was ridiculed during a show-and-tell session in the classroom. He thought the teacher would burst out in tears when kids made fun of her. But instead she just laughed and continued what she was doing. It was a revelation to him. “She has laughed at herself and emerged unscathed!”
His classmates listened closely as he read the story aloud over the following five weeks. Reading his story changed how the children interacted with him. They were eager to hear the next installment in is story.
He was not yet one of them in the playground but the terms of engagement changed. He was no longer a Russian outcast. Responding to their enthusiasm, he felt the pressure to write something new every day, lest he fall out of favour. It’s a responsibility that has haunted him for the rest of his life, he writes. “God bless these kids for giving me a chance,” Shteyngart says. “May their G-d bless them every one.” As his enthusiastic readers, that’s a blessing we can all share. We should be thankful for those little kids who helped push an awkward, angry, immigrant child into an award-winning author.
While still at Solomon Schechter School in Queens, he also wrote a satire of the Torah, called The Gnorah. He described the book as a hatchet job directed at his parochial school religious experience, rote memorization of ancient texts, aggressive shouting of blessings and an ornery rabbi who was the principal. Foreshadowing his writing style over the following decades, he mixed comic references to popular culture figures with the lives of characters in his story. Exodus became Sexodus, Moses was renamed Mishugana and the Burning Bush was turned into a burning television. The Gnorah in 1984 marked the beginning of his true assimilation into American English, he writes. It would take almost two more decades before he started to receive awards for his writing. The Russian Debutante's Handbook was published in 2002. His second published novel Absurdistan was chosen as one of the ten best books of 2006 by The New York Times Book Review and Time magazine. Super Sad True Love Story won the 2011 Bollinger Everyman Wodehouse Prize for comic literature. Shteyngart’s work has been translated into 28 languages.
Translated from the Hebrew by Sondra Silverston
Reviewer: Robert Matas
|In the early 1950s, Amos Oz at the age of 15 moved to Kibbutz Hulda in central Israel. Idealists at that time still celebrated the kibbutz as a new form of community that would transform human nature. But the reality was something else.
In Between Friends, the acclaimed Israeli novelist takes us to a fictitious kibbutz called Yikhat in the 1950s to meet several characters that were part of that world.
With an eye for revealing details, Oz recreates a rich world of ordinary well-meaning people with difficult pasts and passionate dreams. Their anxieties are not unique, stemming from tangled-up longings, failed relationships and unspoken thoughts. Their personal crises would not be out of place as part of daily life in any tightly knit community.
My Promised Land
Speigel & Grau New York / A Penquin Random House Company 445 pp.
Reviewer: Robert Matas
My Promised Land, has been highly acclaimed, and recommended by Thomas L. Friedman as a book for those trying to make sense of the middle East conflict and are looking for a book about “the real Israel”.
My Promised Land has also been listed as number one on the Economist’s list of best books of 2013. It is included on the New York Times list of 100 notable books of 2013, and is described there as an “important and powerful book”.
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